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The Fallout score was composed by Mark Morgan for Fallout. On May 10, 2010, it was released together with the Fallout 2 soundtrack on Morgan's Vault Archives album.

Fallout: The Soundtrack

Metallic Monks

Plays at Brotherhood of Steel base in Fallout. It was re-used in Fallout: New Vegas when outside Vault 22, in Freeside, in one of the houses in Camp Searchlight, in Victor's shack, in Z-9 Crotalus DNA preservation lab in Old World Blues and in The Courier's Mile in Lonesome Road.

Metallic_Monks

Desert Wind

Plays on general wasteland maps in Fallout, as well as Fallout 2. It was re-used in Fallout: New Vegas, in various locations, including Dead Money's Villa police station and the Sierra Madre vault.

Desert_Wind

A Trader's Life

Plays at the Hub in Fallout, as well as the NCR Town in Fallout 2.

A_Trader's_Life

The Vault of the Future

Plays at Vault 13 in Fallout. It was re-used in Fallout: New Vegas at Vault 22.

The_Vault_of_the_Future

Industrial Junk

Plays in Junktown in Fallout, as well as Gecko in Fallout 2. It was re-used in Fallout: New Vegas, at Vault 11, Vault 34 and the X-8 research center in Old World Blues.

Industrial_Junk

Moribund World

Plays on the world map in Fallout, as well as Klamath in Fallout 2.

Moribund_World

Vats of Goo

Plays on the Fallout intro and the Mariposa Military Base in Fallout, as well as Broken Hills, Vault 13 and the Sierra Army Depot in Fallout 2. The track's name refers to the large vats of a mysterious substance encountered in the bowels of the base.

Vats_of_Goo

City of the Dead

Plays at Necropolis in Fallout, as well as Navarro and Vault 15 in Fallout 2. It was re-used in Fallout: New Vegas at Nipton, Camp Searchlight and at the Sierra Madre in the Dead Money.

City_of_the_Dead

Second Chance

Played at Shady Sands in Fallout. It was re-used in Fallout: New Vegas at the Old Mormon Fort, Hidden Supply Cave, and REPCONN headquarters.

Second_Chance

Underground Troubles

Plays at Vault 15 in Fallout, as well as the Temple of Trials in Fallout 2. It was re-used in Fallout: New Vegas in various caves and at Vault 3.

Underground_Trouble

City of Lost Angels

Plays at the Boneyard in Fallout, as well as the Ghost Farm and Golgotha in Fallout 2. It was re-used in Fallout: New Vegas at The Fort and various parts of the overworld.

City_of_Lost_Angels

Followers' Credo (Thunder)

Plays at the Boneyard Library (Followers of the Apocalypse base) in Fallout, as well as the Enclave Oil Rig and the Guardian of Forever special encounter in Fallout 2.

The track was originally composed for another game, Netstorm. When being added to the Fallout soundtrack, the track was simply retooled to remove the periodic thunder sound effects and deep rumble. This also shortened the song by a full minute from 3:45 to 2:45.

Followers'_Credo_(Thunder) Netstorm_-_Thunder

Radiation Storm

Plays at The Glow in Fallout. It was re-used in Fallout: New Vegas at the Lucky 38's presidential suite and at the Nellis array.

Radiation_Storm

Acolytes of the New God

Plays at the Cathedral in Fallout. It was re-used in Fallout: New Vegas at the Silver Rush, the Ultra-Luxe, outside of Cannibal Johnson's cave, near the Red Rock drug lab, in the Cantina Madrid kitchen in Dead Money, and at Zion Ranger station and Angel cave in Honest Hearts.

Acolytes_of_the_New_God

Flame of the Ancient World

Plays in the Los Angeles Vault in Fallout. It was re-used in Fallout: New Vegas in various parts of the Mojave Wasteland, in Angel cave from Honest Hearts and at the Hopeville missile silo bunker in Lonesome Road.

Flame_of_the_Ancient_World

Khans of New California

Plays at the Khan Base in Fallout, as well as the Den and the mercenaries' cave in Fallout 2.

Khans_of_the_New_California

Notes

  • Many of the Fallout tracks were later reused in Fallout 2 and Fallout: New Vegas soundtracks.
  • The soundtrack CD did not include the intro song, "Maybe" which can be found in the in-game music files.
  • The tracks "Desert Wind" and "Flame of the Ancient World" contain sample of sound FX from the song "Mirror Image" in John Carpenter's movie "Prince of Darkness" (the sound comes approximately 3:13 until 4:04).
  • The track "Desert Wind" appears to be a retooled version of "Grey Stripe" by Aphex Twin from his album Selected Ambient Works Volume II.
  • The track "City of Lost Angels" seems to be a slower, slightly modified and edited version of "Grass" by Aphex Twin from his album Selected Ambient Works Volume II.
  • The track "Moribund World" takes heavy inspiration from "Window Sill" by Aphex Twin from his album Selected Ambient Works Volume II.
  • "A Trader's Life" contains similar percussion and structure to "Little Sister" by O'Rang from the album Ambient Isolationism. "A Trader's Life" also uses a sample of horns used in an unknown track from The X Files episode S01E05: Jersey Devil
  • The track "City of the Dead" appears to have been primarily based upon the first minute and fifty seconds of "'Self-Strangulation" by Techno Animal from the album Ambient Isolationism, albeit slowed down, and louder. Shares some characteristics with "Tassels" by Aphex Twin from his album Selected Ambient Works Volume II but with the prominent oscillation of a synthesizer removed.
  • The track "Followers Credo" samples the string elements from "Trees" by Aphex Twin from his album Selected Ambient Works Volume II.
  • The track "Radiation Storm" first section, stretches and slows the first half of "Lichen" by Aphex Twin from his album Selected Ambient Works Volume II whilst the rest of the track is based on the instrumentals of "Maria" by Dave Sylvian.
  • The track "Underground Troubles" takes inspiration from the composition of "Matchsticks" by Aphex Twin from his album Selected Ambient Works Volume II while overlaying it with various other samples.
  • The track "Vats of Goo" seems to be a toned down, beat-for-beat version of "Alternative 3" by Brian Eno from his album Music for Films.
  • "Khans of New California" appears to be use a toned down sample from "Silver Rain Fell (Deep Water Mix)" by Scorn from the album Ambient Isolationism' specifically 2.06 onwards.
  • "Vault of the Future" uses a sample of a Russian cold war-era speech about nuclear weapons (which is currently unknown) that was featured in the intro of "To Have and To Hold" by Depeche Mode.

External links

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